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Active head MAX

The design of this Head allows to use variety of film and digital cameras (up to IMAX cameras). Extra wide TILT frame provides greater space for additional camera equipment. Easy balancing technology allows to save rigging time. There are several control options such as Handwheels, Joystick and Pan Bar.

Gyro-stabilized Heads

Active head Milli

This generation of digital heads shows high stabilization performance, regardless of its compact size and light weight. Easy balancing technology allows to save rigging time. The head is equipped with a digital lens control system that adds functionality and flexibility. It’s available with a variety of control options such as Handwheels, Joystick and Pan Bar*.

Gyro-stabilized Heads

Active Head MINI

Compact and lightweight 3 axis head. The MINI model was developed especially for ALEXA MINI size or smaller movie cameras, can be used also with compact broadcast cameras. Main achievement - Active Head MINI doesn’t have any mechanical limits for TILT and ROLL. It can do 360 by TILT and ROLL as many times as it needs to do. Due to the fact the Active Head MINI doesn’t have any interconnection cables for TILT and ROLL, as well It has neither cables nor sliprings inside TILT and ROLL frames, it performs the highest level of reliability. 

Gyro-stabilized Heads

Active Head

The design of this head allows to use all of the common types of film and digital cameras. The head is also suitable for small and mid-size 3d rigs. It allows to achieve high stabilization performance even with the longest and the heaviest lens, such as Optimo 24-290. The head is equipped with a digital lens control system that adds functionality and flexibility. It’s available with a variety of control options such as Handwheels, Joystick and Pan Bar*.

Gyro-stabilized Heads

Active head MAGNA

The design of this head allows to use all of the common types of film and digital cameras. 4th axis improves stabilization perfomance and control flexibility. High stabilization perfomance can be achieved even with the longest and the heaviest lens, such as Optimo 24-290. The head is equipped with a digital lens control system that adds functionality and flexibility. It’s available with a variety of control options such as Handwheels, Joystick and Pan Bar*.

Gyro-stabilized Heads

Active head Milli ONE

This generation of digital heads shows high stabilization performance, regardless of its compact size and light weight. Easy balancing technology allows to save rigging time. This type of Active Head also works perfectly well in overslung position and gives high stabilization performance. The head can be equipped with a digital lens control system that adds functionality and flexibility. It’s available with a variety of control options such as Handwheels, Joystick and Pan Bar*.

Gyro-stabilized Heads

Steel Boy 15

SteelBoy is a new generation of camera cranes. SteelBoy being lighter and easy to dismantle and reassemble is ideal for use on small and large sound stages, also because of its rigidity it is perfect for usage on a tracking vehicle. The crane can be mounted to any platform via standard Mitchell flat base. The crane can take power from AC or DC (battery) sources.

Telescopic Cranes

Steel Boy 20

SteelBoy 20 is the next generation of telescopic camera crane. It designed to be stiff and lightweight. It is both compact with a folded boom and long with a fully extended one. Can carry big cameras. The arm moves speedy and silent, smooth and precise. The wheel base designed to work on various surfaces and on standard track as well. With help of four adjustable jacks the crane can be mounted on curved or angled surfaces. The crane can take power from AC or DC (battery) sources.

Telescopic Cranes

Steel Boy 25

SteelBoy 25 is the next generation of telescopic camera crane. It designed to be stiff and lightweight. It is both compact with a folded boom and long with a fully extended one. Can carry big cameras. The arm moves speedy and silent, smooth and precise. The wheel base designed to work on various surfaces and on standard track as well. With help of four adjustable jacks the crane can be mounted on curved or angled surfaces. The crane can take power from AC or DC (battery) sources.

Telescopic Cranes

Moviebird 52

The MB52 is an extended version of MB45 mostly suitable for TV studio as this crane maximum load is up to 40kg. MB52 has the same dolly ‚footprint’ as the smaller MB30 crane. Owing to the cranes small weight and size when disassembled it can be transported in a standard 16 ton truck or a bespoke trailer.

Telescopic Cranes

Moviebird 50XL

Despite the similar reach to the MB52 it’s a totally different crane. The MB50 was designed from the start to handle very heavy head packages (maximum nose load is 80 kg). It’s much stiffer than the MB52 and MB45. Despite it’s reach of 50ft it’s still a very compact crane when retracted, easy to transport and move around on the film set.

Telescopic Cranes

Moviebird 45

MOVIE BIRD – 45 – this is the largest model from the family of telescopic crane company “MOVIE BIRD”. It is equipped with a standard package of functions inherent only a model of telescopic cranes of this manufacturer. Despite its size, it is compact for transportation and easy to operate. MOVIE BIRD – 45 – is telescopic crane, which is recognized by worldwide market for television and film production.

Telescopic Cranes

Supertechno 30

The telescopic crane SuperTechno is exquisite development in the remote technology over the years. It ensures the solutions for the commercial projects, musical video, films, tv and sport programmes.

Telescopic Cranes

Active Dolly with 1 telescopic lift

Remotely controlled camera dolly «Active Dolly» is platform that provides movement on a rail pattern with simultaneous sinking and lifting of a stabilized panoramic head. This new generation of remote-controlled platforms with advanced technologies. To improve safety, the dolly is equipped with electronic parts and monitoring system of the track. Active Dolly is a versatile tracking system, which able to move at high speed and provide director with an exquisite tracking shoot. Can be used as for sports and entertainment venues, outside or inside, short and long distances. Perfect performance with the gyro-stabilized system Active head Milli, Active Head Milli ONE

Remote Rail System

Active Dolly with 2 telescopic lifts

Remotely controlled camera dolly «Active Dolly» is platform that provides movement on a rail pattern with simultaneous sinking and lifting of a stabilized panoramic head. This new generation of remote-controlled platforms with advanced technologies. To improve safety, the dolly is equipped with electronic parts and monitoring system of the track. Active Dolly is a versatile tracking system, which able to move at high speed and provide director with an exquisite tracking shoot. Can be used as for sports and entertainment venues, outside or inside, short and long distances. Perfect performance with the gyro-stabilized system Active head Milli, Active Head Milli ONE

Remote Rail System

Stels

Remotely controlled camera dolly “Stels” is platform that provide straight or radius movement on a rail pattern with simultaneous sinking and lifting of a stabilized panoramic head. This new generation of remote-controlled platforms with advanced technologies. To improve safety, dolly is equipped with electronic-parts and monitoring system of the track, an automatic lift with smooth change of lifting speeds.

Remote Rail System

Tracking System Planer

The dolly has compact dimensions and perfectly suits for studios, easily fitting in small room.

Remote Rail System

Flytower

Pendant mobile system with dynamic telescoping camera lift — it’s pendant system, providing movement of TOWERCAM TWIN-PEEK 2 in 1 or StarCam MK II on the rectilinear trajectory.

Remote Rail System

2D/3D Active Cam

The cable system «Active Cam» is intended for moving of an object in space points defined in coordinates X, Y, Z (3D variant) or X, Y (2D variant).

Cable Cam System

48V Dactylcam Pro

48V Dactylcam Pro is built for the largest cinema applications up to 100lbs with speeds of 35 mph. With dual batteries, run time can exceed 8-10 hours and system health is consistently monitored from the Pulse controller. Users control how much torque is needed through gain tuning, drive wheel slip control, acceleration and overall top speed. The digital readout communicates position on the line, speed, battery voltage, traction control and speed settings. Battery life is 8-10 hours and wireless RF frequencies are offered at 915mhz, 2.4ghz and 5ghz.

Cable Cam System

Arm by OperTec

Arm by OperTec is remotely gyro-stabilized camera crane, which may fulfill highest demands of operator. Fully stabilized boom guarantees smoothest shot and stable picture on rough terrain. Arm by OperTec is wheather-resistant and can be used in most challenging conditions. Lightweight and compact, and easy for setup on various platforms.

T-Arm By OperTec

T-Arm by OperTec is remotely operated gyro-stabilized telescopic camera crane, which may fulfill highest demands of operator. Fully stabilized boom with variable length of arm (controlled by operator) guarantees smoothest shot and stable picture on rough terrain. T-Arm by OperTec is wheather-resistant and can be used in most challenging conditions. Lightweight and compact, and easy for setup on various platforms.

Active Lift T-280

Active Lift is remote-controlled dynamic telescoping camera lift, that can work can work both vertically and horizontally – can be placed on a horizontal surface (land, dolly, scene, etc.). Also, Active Lift can operate upside down fastened to the aluminum traverse system (farms).

Active Lift T-220

Active Lift is remote-controlled dynamic telescoping camera lift, that can work can work both vertically and horizontally – can be placed on a horizontal surface (land, dolly, scene, etc.). Also, Active Lift can operate upside down fastened to the aluminum traverse system (farms).

Towercam Twin Peek

TOWERCAM TWIN-PEEK is a remote controlled, dynamic telescoping camera lift, that can work both vertically and horizontally – can be placed on a horizontal surface (land, scene, etc.) Also, the system can operate upside down, fastened to the aluminum traverse systems (farms). The lift runs very smooth and almost silent while telescoping in and out – in upright or inverted position.

StarCam MK II

The Egripment StarCam MKII is the latest version of the Egripment StarCam Tower Product Line. Evolutionary improvements are based on the classic StarCam System with the possibility to use the column either upright or hanging – all in one unit.

Section Cranes

These models of camera cranes are easily assembled constructions, which can be applied for shooting in hard-to-reach places: in mountains, forests, over steeps etc. Intraframe dynamics of continuously changing picture together with specific light and stage decoration captivate the spectator. The dynamics of the picture gives considerable opportunities when watching TV produce.

Section Camera Cranes

TRIDENT - Leveling Head

Gives the ability to change the head position for nose mount or underslung position in a few seconds. It doesn’t matter what angle the crane or other arm has - the Head will have just one angle according to space. Head angle can be changed any time during the shooting process. Just use TRIDENT levelling Head and set angle which is needed with the help of the remote control pickle for setting in a new position without dismount the head. TRIDENT will hold this angle all the time. TRIDENT Levelling Head is powerful, stiff and safe.

Leveling head / Shock Absorber

Lobster - Shock Absorber

Shock Absorber System is used for stable dynamic shots during shooting on the moving vehicles.

Leveling head / Shock Absorber

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We have been the main contractor of Eurovision for 7 years

OperTec equipment is designed for unique projects. From gyro-stabilized heads to gimbal systems, our wide range of equipment allows us to find the perfect solution for any task.

That's why film industry leaders like Netflix, HBO, Amazon Prime, and Eurovision trust us to handle the most challenging shoots.

technical support 24/7

We are always in touch. If you need help, our specialists will provide you with detailed advice or visit you on site to resolve technical issues.

+38 044 501 39 44

SUPPORT@OPERTEC.TV